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  • Wallmen – Mr. Happy Man

    Wallmen – Mr. Happy Man

    1988 Cassette – Dead Judy No.1863 GAJOOB Review by Bryan Baker, 4/1/1989: These guys have the strange-white-boy blues thing down pat. This is not “Blues” by the accepted definition, however.…

  • Doctor Pocket – Turn It Around

    Doctor Pocket – Turn It Around

    (CD, 2002) No.5251 Doctor Pocket’s “Turn It Around” is an exhilarating excursion into the realms of hard rock and funk, with a versatility that captivates from the first note to…

  • Eric Muhs: A Master of Eclecticism and Collaboration

    Eric Muhs: A Master of Eclecticism and Collaboration

    Eric Muhs is a prolific and versatile musician known for his wide-ranging electronic and experimental compositions. His music spans multiple genres, from progressive rock to ambient and noise. Muhs frequently…

  • Tom Furgas – Quantum Geometry Networks

    Tom Furgas – Quantum Geometry Networks

    (Digital, 1984) No.5250 The 1984 release “Quantum Geometry Networks” by Tom Furgas stands as a testament to the boundless creativity that can emerge from the most unassuming materials. This digital…

  • X°=1 – The Art of K7 vol​​​.​​​#2

    X°=1 – The Art of K7 vol​​​.​​​#2

    (Digital, 2024) No.5249 GAJOOB Review by Bryan Baker, 4/7/2024: In the realm of experimental music, few projects dare to dive as deep into the essence and nostalgia of cassette culture…

  • snacks – the cinnamon show

    snacks – the cinnamon show

    no.5247 (CD, 2002) In the landscape of modern music, where genres blend and identities often merge into a homogenous mix, Snacks’ album “The Cinnamon Show” emerges as a delightful anomaly.…

  • Online Discussion: Popular Music Books in Process

    Online Discussion: Popular Music Books in Process

    The resurgence of the compact cassette as a significant format in popular music is a fascinating phenomenon that underscores the nostalgic and intimate connection many have with physical media. In…

  • Preserving the Artistic Freedom of Cassette Culture

    Preserving the Artistic Freedom of Cassette Culture

    Cassette Culture, a movement that emerged in the 1980s, is characterized by a profound commitment to artistic freedom and the democratization of sound recording. Unlike traditional music industry models, Cassette…

  • Cassette Culture: Then and Now

    Cassette Culture: Then and Now

    Cassette culture, the vibrant subculture centered around independent music production and distribution via cassette tapes, has undergone significant shifts over the past three decades. Here’s a comparison between the cassette…

  • An Inside Look: The Day Jobs of Home Tapers

    An Inside Look: The Day Jobs of Home Tapers

    In the realm of independent recording, home tapers have carved out a unique and vibrant space for themselves. While their music may often be the primary focus of attention, it’s…

  • Ken Clinger’s KC Tape Series: A Unique Blend of Styles

    Ken Clinger’s KC Tape Series: A Unique Blend of Styles

    Ken Clinger’s KC series of tapes stands as a testament to the art of musical fusion, seamlessly blending elements from various genres to create a captivating and distinctive sonic experience.…

  • Naaki Soul – Nylon Songs

    Naaki Soul – Nylon Songs

    No.5244 (CD, Digital, 2023) GAJOOB Review by Bryan Baker: Emerging from Brisbane, Australia, Naaki Soul’s “Nylon Songs,” released in 2023, strikes a chord with its unique blend of post-punk guitar…

  • Petite Victory Collective

    Petite Victory Collective

    Petite Victory Collective, based in Lisbon, Portugal, is a distinctive independent label and collective that has been making waves in the electronic music scene since its inception in 2021. Under…

  • Fentom – residue

    Fentom – residue

    No.5243 (Cassette, Digital, 2022) GAJOOB Review by Bryan Baker: Fentom’s “Residue,” released in 2022, is a masterclass in ambient music artistry. This five-song album, available on cassette and digital platforms,…

GAJOOB Zine is published by Briyan Frederick (aka Bryan Baker) and has been reviewing independent music since 1986.

From the first moments, listeners are enveloped in a muffled blanket of magnesium oxide, where random audio snippets—voices, sounds, mechanical clicks, and clacks of Walkmans—create a collage that feels both familiar and disorientingly novel.gajoobzine.com/albums/x1-the-art-of-k7-vol-2/

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